26.1.11

Time for an Avod Bitchfest!

That's right, in struggling to come up with another themed episode, DM and myself wound up scraping the bottom of the barrel this week. In our defense, it didn't seem like such a bad idea when we found out that there was a movie called "Run! Bitch Run!' - How could you turn that down?

The answer, of course, is that you could turn it down if you had the sense in you that god gave a gnat. Still, though, watching it, BitchSlap, and Jennifer's Body did lead to a spectacularly bitchy episode of TheAvod, so, in the end, all was profoundly not lost!

If you'd like to hear more about the films, just right-click here to download the episode, or head on over to TheAvod's own website and stream it for yourself!

25.1.11

The Thirty-Fifth-Greatest Panel in the History of Comics!

So thoughtful of that guy to stop the fight just long enough to explain the plot. And then immediately start it back up again.

24.1.11

Tales From the Darkside 113: Anniversary Dinner


This week's episode opens on an elderly couple out in the woods, sharing a nice dinner... not the anniversary dinner of the title, however - is this because... they ARE the anniversary dinner?! Okay Count, calm down, you're half a minute into the episode, too early to be calling twists. Just enjoy for now.

The husband cuts his finger on a knife, and while the wife, while sucking it clean, refers to the contradiction of an 'old sourpuss tasting so sweet' which I know is meant to be comforting, but she's tasting blood and calling it sweet. Ick. Also, who's playing the wife?



Her face isn't especially familiar, but I swear I know the voice... which I now realize isn't in the picture, so let's move on. The anniversary of the title is mentioned fairly quickly - it seems they've been married for twenty-five years, and the wife is feeling empty-nesty. Holidays feel empty without their children around, you see. And who should come sneaking up outside the house just as she comments on that?

Probably not their children.

The next day Wife sees two backpackers headed up the drive to her house, and reacts with an understandable level of wariness. They claim to be looking for the 'old Anderson place', and admit to having spent the night in the orchard. Wife offers to let the couple stick around and do some chores in exchange from room, board, and perhaps a little spending money. When the male backpacker laughs at the idea and starts to leave, husband comes rushing out of the house with a shotgun-

Which seems like a bit of an overreaction, if you ask me. The backpackers leave - which they'd been planning on doing anyhow, mind you, but the wife tells the female backpacker, 'Sybil', that she's welcome back if the male backpacker seems like trouble. Sybil doesn't find this offer as ominous as she ought to, but then again, she doesn't know that her exit is framed by the handle of an ax:

Ladies and gentlemen, I think we've just met our 'Anniversary Dinner'.

In the very next scene the wife is chopping up meat and complaining that it's too tough. This naturally leads to an expressed hope that Sybil will return, and the creepy suggestion that she reminds wife of their children. Sybil does, in fact, return that bery night, and is welcomed into the house with open arms. Proving that she's basically the ideal victim of cannibals, she doesn't run screaming from the house when wife explains that their children still live with them 'In a way' and that they 'become a part of you'. So yikes, these old people ate their children.

That night at dinner wife tells husband that Sybil's run away from home, and hasn't talked to any of her family members in two years. Which, again, if there were a checklist for the perfect victim of a serial killer... Sybil swiffs another chance to run screaming from the house when they offer to show her... 'the play room', which is actually hidden behind a creepy false wall in the kitchen!

The wall is covered with hunting implements and trophies (in the pieces of dead animals sense of the term), but the real centerpiece of the place is, incongruously enough, a large wooden jacuzzi!

Husband starts up the jacuzzi as Sybil runs off to grab her bathing suit. Then, as if the situation weren't creepy enough, wife all but freaks out when the pool doesn't start up immediately. Then they proceed to watch Sybil, um, hungrily, as she enjoys her bath.

As if it wasn't clear enough what was coming next, they even whisper conspiratorially about how great their 'anniversary' is going to be with a kid in the house. Then, naturally, the subject of dinner comes up, and husband starts opining loudly about how their dinner may have been ruined because the butcher they get their meat from doesn't know how to kill animals! It's husband's theory, you see, that killing a frightened, abused animal poisons the meat, and ruins it. That you must care for the animals that you're going to kill and devour. He says this, remember, to the runaway girl who he and his wife have taken in, bathed, fed, and generally cared for. Yet she doesn't flee.

Although, to offer an explanation for this disturbing inaction, I will point out that Sybil isn't aware that, once again, she's been framed next to that ax and stump:

Poor sap.

One scene later and it's the couple's anniversary - Sybil wakes up alone in the house, so naturally she goes to explore the play room. Which is naturally killed with animals who were totally content before being shot in the neck from hundreds of feet away. Finally she gets a little creeped out when she gets a gander at the couple's knife collection:

But, again, not so creeped out that she does the sensible thing. Instead she just starts up the jacuzzi once more and prepares to hop in. Is she going to figure it out? There's just five minutes left! Poking around a little more she uncovers the stereo, and turns on some brassy classical music, then finds a mysterious button hidden among the knives. Before she can press it husband and wife arrive home, and freak out more than a little. What's behind the wall of knives? Sybil is too busy apologizing for poking around in their stuff to bother wondering.

Husband comes out of the play room and apologizes for snapping, then gives Sybil some wine and tells her to hop back in the tub at her leisure. Things then take a turn for the bizarre when wife walks in, carrying a ladle and a plate of vegetables. Sybil's too drunk to be concerned when wife starts tossing the vegetables into the water with her, and I can't believe I didn't realize that the jacuzzi was actually a giant stew pot! The drugs in the wine finally kick in and Sybil slips below the surface to begin cooking.

This leaves just a single thing left unexplained - what's behind the wall of knives? Wife says that they really ought to 'share' their meal with the children, which they do by heading over to the knife panel and opening it to reveal...

The skulls of their dead children! Or just the children they kidnapped and murdered, the origin of these kids isn't exactly made explicit. Still, though, them old cannibals don't mess around. Except for the fact that there's a guy out there who knows where they live and whose girlfriend ran off to go back to their house before mysteriously disappearing.

That could easily come back to bite them, come to think of it.

23.1.11

Frightmare's War With the English Language - Part 2!

As promised (threatened?) by the title of the last post on this subject, here's the other notable scene from genre classic 'Frightmare':


The fascinating thing about this film is that the writer/director 'Ash Smith' demonstrates a level of competence in the film's other dialogue scenes. When characters gather together to discuss their charity haunted house or their attempts to solve a murder the use of English is, while perfunctory, still appropriate. It's only when Ash Smith attempts to write people on television that dealing with a second level of unreality causes him to become crushed by an avalanche of self-consciousness, leaving him unable to produce anything other than bizarre-sounding gibberish. Albeit bizarre-sounding gibberish that he was able to convince actors to read off of cue cards.

Now, for the record, and setting aside the fact that it was a scene about two characters debating the deeper meaning of a malapropism, here is a partial list of the words that Ash Smith doesn't know the meaning of, yet feels comfortable using:

Common
Processing
Intuitive

22.1.11

Platoon of the Dead isn't a comedy

Despite what's going to appear below:

That's the crawl which opens the film. Seeing that, one might well expect the content of the film to be relatively serious; to, for lack of a better term, 'mean' what happens.

And then the actual film starts. We're presented with a soldier wandering through the woods, having survived an ambush. He comes across an injured man, and immediately checks the man's pulse:

Despite the fact that the man's injuries consist of having been impaled on a branch:

The soldier then attempts to call for help, while his body language suggests that he's, you know, just hangin'-

And his radio proves to be a slightly outdated cell phone, held upside down.

That's nothing compared to his gun, however-

Which proves to have incredibly visible holes where the screws connect the two pieces of plastic.

It's strange, because were the rest of the film to be a broad comedy, all of this would work as a perfect setup. It's not, however.

More's the pity.

21.1.11

Criminal Minds 407: Memoriam

Part 2 of the cliffhanger,folks – we’re going to find out what was going on with Reid’s nightmares! Was his dad a murderer? Of course not, but I’m sure there’ll be an interesting story to explain the dreams.

Speaking of his dreams, Reid announces to the team that he won’t be heading back to Quantico with them, but doesn’t explain why he’ll be remaining in Las Vegas. Every but Derek accepts his alibi of wanting to spend some more time with his mother, but Derek doesn’t say anything, so Reid is free to head over to a local police station and ask after the case file. It’s delivered to him by Xander Berkeley, of 24 (and a million other things) fame! Xander was one of the cops on the case – he compares this murder to the Jonbenet Ramsay case, which may be the most open they’ve ever been with their talking about the real case an episode was based on. This episode, like that true-life tragedy, revlovles around a child found dead in the basement of their own home, with no sign of forced entry suggesting that an intruder had committed the act. Will the similarities to the Ramsay case continue, or will this week’s case actually be solved?

The latter, I’m guessing.

Helping the latter occur is… the rest of the team! Yeah, Derek and Joe didn’t get on the plane either. Knowing full well about Reid’s stress, they’ve decided to hang out and help Reid solve the crime, for which he’s already got a prime suspect… his own father!

20.1.11

Chocolate Cannibalism Exposed!

The world of children's candy can oft be a disturbing one. Giant balls of resin designed to literally break jaws. Incitements to eat worms and miniature bears, each constructed from some manner of gelatin. The terrifying image of a rabbit laying chocolate eggs...

All of these have, in one way or another, scarred children for life. This year, however, Cadbury has thrown off all pretense of marketing chocolate treats, and instead released a product that seems to exist for no other purpose than to disturb anyone foolish enough to look upon its packaging. That product? The Choc-Men.

Look at his wild eyes! The abandon with which he tears his chocolate brother apart with his teeth! Only one question can be asked of this situation - has resorting to cannibalism driven him mad, or did madness cause him to resort to cannibalism?

Not satisfied with this relatively tame depiction of snowman cannibalism, Cadbury released a second edition of the Choc-Men, this one branded under its popular 'Caramilk' line.

No, you're not seeing things, that chocolate snowman is bleeding profusely as his head is being torn apart. The Caramilk secret, it would seem, is devouring the living as they scream for mercy.

This, ladies and gentleman of the jury, is a face that has gazed into the abyss. How can he be found legally responsible for his actions, abominable though they may have been, when he'll never again understand what they were?

19.1.11

On the Subject of Impaired Avods...

Tried something very strange today - recorded an Avod despite still being quite ill. I think it went over fairly well, although, and this is the unusual part, I've already forgotten almost everything I said in the show, despite wrapping it just under two hours ago.

I suppose there's an upside to finally having an Avod that I can listen to 'fresh', but I'm more troubled than anything else by what horrible things I may have said in my state of diminished faculty. Well, it's not like the Divemistress stopped the show due to offensiveness or anything...

Tell you what, right-click to download here, and judge for yourself! I apologize in advance for my 'sick guy' voice. That literally could not be helped.

Fun Fact about this Week's Episode: The Zatoichi series that was mentioned this week featured both 26 films and a television series that ran more than one hundred episodes!

18.1.11

The Thirty-Fourth-Greatest Panel in the History of Comics!

This isn't a superhero torturing a criminal for information - which is a pretty common sight in the golden age, truth be told - it's a superhero taking a criminal to the police, then offering them advice on the best way to torture him for information.

Join us next time for more adventures of The Clock - Enhanced Interrogation Consultant!

17.1.11

Tales From the Darkside 112 : In the Cards

The episode opens with a saucy woman tempting fate - how, you ask? She's flirting with, and dismissing, a man on the phone, while placing an ad for her new fortune-telling business. Which she clearly doesn't believe in! Man, is uppance coming fast.

In the form of an old lady, it would seem!

16.1.11

Saturday Night Live RapeWatch: Gwenyth Paltrow Edition!

This week got off to a rocky start, with an opening sketch about Fox News' attempts to tone it down following the Tucson shootings, then quickly spiralling until the hosts were talking about how Health Care was raping America's freedom. Yes, the sketch was about satirizing Fox News' hyperbole, but the SNL writers could have toned it down slightly and still had the same effect.

The rest of the show was far less offensive, with the only other example of rape-themed humour being a joke about Will Smith's inability to express the correct emotions while filming a hypothetical episode of 'Fresh Prince of Bel-Air' in which Carleton was assaulted by a male teacher.

The only sign of homophobia-based humour was in a sketch that featured a questionable impression of Cher by Bill Hader. The only joke in that sketch? That Cher's daughter recently had a sex-change operation and became Cher's son. Which is apparently icky, and therefore funny.

The lack of truly offensive content gave me a chance to focus on the skteches themselves, which turned out to be something of a mistake, as they were by and large terrible. There were the truly mis-begotten, like a Bar Mitzvah sketch in which the characters sang Jew-themed versions of popular songs. A sketch about Spanish-language SportsCenter only featured half a joke - that the anchors speak flawless Spanish and then sound odd and discordant when using English names and terms. I say 'half a joke' because while the cast member playing the male anchor really sold the premise, Paltrow's accent was so weak that there was no measurable difference in her speaking voice when moving between languages.

Yet another visit to the set of 'Fake Password' reminded us why that sketch needs so badly to be retired. At least with celebrity Jeopardy there were new categories each week, the fun of seeing real celebrities try to be other real celebrities, and the escalating war of wills between Trebek and Burt Reynolds, then later Sean Connery. All Fake Password has to offer is Kristen Wiig saying she's not going to say the password, and then saying it. Mildly diverting once - majorly infuriating the sixth time. What Up with That (which was mercifully absent this week) understands the need to up the ante with each show - Fake Password is the exact same sketch every time.

When not even a cameo appearance by Pee-Wee Herman can save your show, it's time to rethink your priorities, SNL. Now, on to the numbers!

Rape-Themed Humour: 2
Homophobia-Themed Humour: 2

A fairly inoffensive week, as I mentioned above - while I'm not shocked to see them backing off of rape-themed humour (hopefully this isn't just a statistical aberration, and someone actually thought better of it), the downturn in homophobia-themed humour is heartening. With any luck the less awful SNL will become the new norm!

Oh, and if you're making a sketch about Will Smith's inability to act during the first couple of seasons of Fresh Prince, maybe you could drop in the most famous aspect of it: His habit of mouthing all of the other actors' lines while he was waiting for his turn to speak.

That stuff is gold every time I see it!

Also, what kind of world are we living in when Smuggy Smuggerson has the best line of the night? It's anarchy, people!

15.1.11

Frightmare's War With the English Language - Part 1!

You probably haven't heard of the movie 'Frightmare', or if you have, you're thinking about this British movie from the 70s:

The Frightmare to which I'm referring concerns a group of teens who attempt to build a charity haunted house, only to have murder ensue. It's a standard enough plot for a slasher film, and the film as a whole may well warrant coverage down the line, but right now I want to simply present something that happens at the film's outset - with less commentary than I'm generally known for.


What is going on in that speech? I understand that this is a low budget film, but were they unable to find anyone who spoke English, requiring phonetic pronunciation? Had the writers never seen a news broadcast? I assure you the rest of the film doesn't evince a complete lack of understanding of how the English language works.

With one exception, although that can wait until next time...

14.1.11

Criminal Minds 406: The Instincts

The episode opens with the team rushing through a series of dark, unfurnished rooms while swinging around flashlight-enabled handguns. The whole thing suggests a training exercise - at least it until Spencer goes off alone and the angles go all impressionistic - which looks more dream-sequence-y. Spencer wakes up from his nightmare on the plane, then shows off his perfect dream recall - they found a six-year-old boy stabbed to death. Why is he having the dream? Could it have something to do with the case they're on, which involves a killer who abducts children, keep them alive for a week, calls the parents to taunt them, and then leaves the suffocated child in a field.

The ticking clock is established right away - a new child went missing yesterday, so just six days to save his life! Not that he's in a lot of danger - they've already got one dead body, and while the structure would have this kid dying before they finally saved the third victim, Criminal Minds is really, really nervous about killing off children. I don't think there was even a second onscreen victim in that 'red-headed child loves murder' episode. Although I'd obviously have to go back to check that. Maybe I should do it during the opening credits!

13.1.11

The Mystery of Grape Nuts Solved - At Last!

As someone raised in North America in the 1980s, I was around for the resurgence of Grape Nuts cereal marketing, and the attendant increase in stand-up comedians' jokes about same. “It's not made of grapes, it's not made of nuts... what is it!?” As a child I'm sure I just accepted these jokes at face value, understood the nature of Grape Nuts as being one of life's little mysteries, and then moved on to watching another episode of Gummi Bears.

It wasn't until this year that I, quite accidentally, discovered the explanation for this enduring puzzle. Handily enough, it was in one of the comics I was reading to look for stories about Captain Marvel doing something spectacularly crazy or racist!

That's Volto, the man from Mars whose powers include promoting Post's new Grape Nuts Flakes - seeing this ad made me realize for the first time that Grape Nuts had been around long enough that my grandparents might have eaten them growing up - so I swung by Wikipedia to discover just how old they actually were. The answer - that they began production in the 1890s - was something of a shock, but immediately I was presented with the obvious answer to my query!

Seedless grapes, while extant, were not as common in America during the 19th century, so a worker in a cereal factory could well be expected to observe the visual similarity between this crushed grain:

and the seed (or nut) of a grape:

The stand-up comedians of the 80s, by comparison, grew up in an America completely devoid of both seeded grapes and simple electronic means of finding out why things are called things - so of course they were confused!

So there you have it, stand-up comedians of fifteen years ago - they're called that due to a physical resemblance between the cereal and the seeds of grapes.

You're welcome.

Next up? Finding out what, exactly, is up with airline peanuts, and why the bags are so hard to open.

12.1.11

TheAvod Episode 100: Episode 100!

That's right, two years (and a bit) later, theAvod (the internet's sole audio-only Vodcast) has finally reached its hundredth episode! To celebrate this fact, I've decided to resume posting about the show I co-host.

Really, there's no excuse for me not having been doing this for the past two years other than sloth and uselessness, but whatever, right?


Topics discussed this week include 'The Cape', 'And Soon the Darkness', and 'Platoon of the Dead', which is neither a George Romero movie, nor a zombie parody of the film Platoon. If you'd rather download it, just right-click here and save the .mp3!