So, as promised, here's an explanation of how Red John pulled the trick with his list, apparently proving that he had information that Jane didn't even have access to when the video was made. The show briefly raised the spectre of Red John being psychic, but we can dismiss that out of hand, since his plan to get information from Jane's psychiatrist proves he's working with realistic sources of information. So - how did he make his own version of the list six weeks before it existed? There's a clue in the lead-up to the reading of the list.
Showing posts with label the mentalist. Show all posts
Showing posts with label the mentalist. Show all posts
9.11.13
27.9.13
On the Subject of the West Wing
In its final season, the producers The West Wing made a daring formal decision. They decided that instead of running the season in something approaching real time, as most network shows do, the show would be set over the course of a single presidential campaign, following Bradley Whitford's attempt to get Jimmy Smits the Democratic Party nomination, and then a win in the general election. It was an interesting idea, and made for some decent drama at times, but at its core, it was misbegotten strategy if the producers' goal was to ensure an eighth season of the show.
At its core, The West Wing was a show about the adventures of President Martin Sheen and his staff. While Martin's storylines often took a back seat to the adventures of Alan Alda and Jimmy Smits in the seventh season, he was always there, dominating the credits and sitting in the Oval Office. By playing out the presidential election over the entire season, and delaying the inauguration until the very last episode, the producers created a logical stopping point for the show. It created the idea that the show was the story of Martin Sheen's presidency, and the moment that ended, there was no reason to continue watching it.
They didn't have to structure it that way. People enjoyed the format of The West Wing, and audiences have a history of liking Jimmy Smits. Would they have watched a show about president Jimmy Smits? I can't say for certain, but the producers never gave them the chance to decide. By saving the inauguration until the very end of the season, the producers effectively surrendered to the idea that the show had to end with Martin leaving office. By having no episodes with Jimmy Smits as president, they never made the argument for the existence of a show with that premise.
At its core, The West Wing was a show about the adventures of President Martin Sheen and his staff. While Martin's storylines often took a back seat to the adventures of Alan Alda and Jimmy Smits in the seventh season, he was always there, dominating the credits and sitting in the Oval Office. By playing out the presidential election over the entire season, and delaying the inauguration until the very last episode, the producers created a logical stopping point for the show. It created the idea that the show was the story of Martin Sheen's presidency, and the moment that ended, there was no reason to continue watching it.
They didn't have to structure it that way. People enjoyed the format of The West Wing, and audiences have a history of liking Jimmy Smits. Would they have watched a show about president Jimmy Smits? I can't say for certain, but the producers never gave them the chance to decide. By saving the inauguration until the very end of the season, the producers effectively surrendered to the idea that the show had to end with Martin leaving office. By having no episodes with Jimmy Smits as president, they never made the argument for the existence of a show with that premise.
26.9.13
Adventures in Fake Journalism: The Mentalist 509
For a little more than half of Season 5, Patrick Jane spent the episodes making a list of everyone he'd ever shook hands with in the hopes of figuring out which of them may have been the notorious serial killer Red John. In episode 509 we got a peek at a couple of pages from the book, and it was an interestingly detailed piece of work, from a propmaking standpoint.
It reads-
It reads-
25.9.13
Kevin Corrigan's interesting performance choice
There are any number of ways you may know Kevin Corrigan: Community's drama professor, one of the thugs in 7 Psychopaths, a rogue trader in the second season of not-very-good TV show 'Damages'... the man gets a lot of work. Most relevant to this week's posts, he plays Bob Kirkland, homeland security agent, on The Mentalist.
That's him justifying his inclusion on the Red John shortlist, even though he can't possibly belong on it.
I'm not here to rehash my criticism of that decision by the producers, however - I'm here to talk about Kevin Corrigan's extremely interesting choice in portraying the character as... actually, I don't want to spoil it. Watch these two clips, and then I'll explain what Kevin Corrigan was thinking when he decided to play Bob Kirkland this way.
That's him justifying his inclusion on the Red John shortlist, even though he can't possibly belong on it.
I'm not here to rehash my criticism of that decision by the producers, however - I'm here to talk about Kevin Corrigan's extremely interesting choice in portraying the character as... actually, I don't want to spoil it. Watch these two clips, and then I'll explain what Kevin Corrigan was thinking when he decided to play Bob Kirkland this way.
24.9.13
My crazy The Mentalist theory
With The Mentalist set to wrap up the whole Red John thing in the next three months, I thought it might be high time to reveal my crazy theory about the villain's backstory!
Yes, that's right, I developed a crazy theory while rewatching certain episodes of the show in preparation for the new season. With any luck, it will neatly explain where Red John comes from, and why he's turned himself into an evil messiah, as well as his connection to Bret Stiles, the Malcolm McDowell character.
I suspect that Red John is the son/heir of Timothy Farragut, the original founder of 'Visualize' that Stiles murdered back in the 70s.
Yes, that's right, I developed a crazy theory while rewatching certain episodes of the show in preparation for the new season. With any luck, it will neatly explain where Red John comes from, and why he's turned himself into an evil messiah, as well as his connection to Bret Stiles, the Malcolm McDowell character.
I suspect that Red John is the son/heir of Timothy Farragut, the original founder of 'Visualize' that Stiles murdered back in the 70s.
23.9.13
It's "The Mentalist" Week!
Yes, I know what you're thinking - "Castle Vardulon, isn't this the place where I go to look at comic book panels and laugh at the people (now safely in their graves) who wrote and drew them? Why is there text here?"
Well, prepare to be shocked - in celebration of the start of the new season of The Mentalist, I'm posting a few articles this week covering crazy theories, interesting acting choices, and fabulous propmaking! So tune in all week long and join me in getting psyched for September 29th, and the countdown to the Red John reveal!
Just eight episodes away, people!
Well, prepare to be shocked - in celebration of the start of the new season of The Mentalist, I'm posting a few articles this week covering crazy theories, interesting acting choices, and fabulous propmaking! So tune in all week long and join me in getting psyched for September 29th, and the countdown to the Red John reveal!
Just eight episodes away, people!
28.6.13
Handicapping the Red John list
So the fifth-season ender of The Mentalist has come and gone, and my hopes are yet to be dashed! There was no revelation about Red John's identity, but we were presented with a short list, and my guy's name was on it.
So now, like all armchair TV detectives, I think it's time to start wildly guessing at who Red John might wind up being. Here's the list we're given, along with my capsule comments.
Bret Stiles - Nope.
Gale Betram - Probably not.
Ray Haffner - Absolutely possible.
Reede Smith - Who?
Bob Kirkland - Red Herring.
Sheriff Thomas McAllister - Huh?
Brett Partridge - My pick, for reasons I've already outlined.
So now, like all armchair TV detectives, I think it's time to start wildly guessing at who Red John might wind up being. Here's the list we're given, along with my capsule comments.
Bret Stiles - Nope.
Gale Betram - Probably not.
Ray Haffner - Absolutely possible.
Reede Smith - Who?
Bob Kirkland - Red Herring.
Sheriff Thomas McAllister - Huh?
Brett Partridge - My pick, for reasons I've already outlined.
28.4.13
On the Subject of Red John
I firmly believe that The Mentalist is playing fair. By that I mean that Bruno Heller specifically, and all the producers of The Mentalist, have had a firm idea of where the Red John storyline was going right from the start of the show. I'm not suggesting that some 'master list' of the series' plot-intensive episodes exists, or that the producers had any idea what the specific clues or twists in the Red John storyline were going to be more than a few episodes in advance. I do, however, believe that those producers have known who Red John was all along, and have been careful, even as their plots and characters evolved, never to give any information or clues that contradicted anything already established as fact.
Beyond that, I believe that the mystery as presented by the show has been solvable, and what's more, I believe that I have solved it.
Here's how:
27.4.13
On the Subject of The Mentalist
It occurs to me that, despite it being one of my favorite shows, I've neglected to discuss The Mentalist here on the blog. For anyone not aware, The Mentalist is a CBS drama which - while it fits broadly into the network's tradition of police procedurals - is my nominee for the best-produced thing on network television.
I specify 'network' for what I think are fairly obvious reasons. The dictates of mainstream commercial-supported broadcast television put restrictions on shows that pretty much ensure that they can't ever rise to the level of your Breakings Bad or Games of Thrones. Networks prefer the episodic structure so it's easy for viewers to check in at any time - it doesn't really matter when you start watching Cheers, within a few minutes you'll get the point. Something like Wiseguy - one of the greatest things to ever come out of a network - was doomed to failure largely because it isn't the kind of thing that can simply be picked up and watched at someone's leisure. Add to that fact, from a financial standpoint, episodic shows are easier to sell into syndication, and it's easy to understand why shows about cops and lawyers and doctors solving a new crime/curing a new patient every week have dominated the airwaves since televisions inception. Also, for a little while there, every week a heroic cowboy would shoot some no-good varmint, but that trend seems to have largely passed.
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